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	<title>KithKin Presents &#187; intervention</title>
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		<title>The Space between I and You</title>
		<link>http://www.kith-kin.co.uk/presents/index.php/london-09/the-space-between-i-and-you/</link>
		<comments>http://www.kith-kin.co.uk/presents/index.php/london-09/the-space-between-i-and-you/#comments</comments>
		<pubDate>Sat, 05 Sep 2009 21:44:16 +0000</pubDate>
		<dc:creator>Elizabeth Graham</dc:creator>
				<category><![CDATA[London 09]]></category>
		<category><![CDATA[function]]></category>
		<category><![CDATA[intervention]]></category>
		<category><![CDATA[object]]></category>

		<guid isPermaLink="false">http://www.kith-kin.co.uk/presents/?p=618</guid>
		<description><![CDATA[A series of interventions into objects.]]></description>
			<content:encoded><![CDATA[<p>Elizabeth Graham is an artist who selects objects specifically. This is not to say that they are the &#8217;specific objects&#8217; of Donald Judd’s late-modernist conception, but rather a careful selection of items and products that find their function and purpose outside of art. Once the choice has been made, an intervention into the object usually takes place. Such an intervention does not completely transform the object, but neither does it allow it to continue to be experienced as having a fixed identity. A swimming pool plugged with plywood, or a box filled with paint.  </p>
<p>Works like this are simple without being empty, playful without being cheap, and internally coherent whilst still referring to a world outside of itself. Decisions about things such as form, colour or placement in art are not confined only to a kind of formalism but are in fact deeply ingrained into the way we navigate the world of objects around us. It is Art like Elizabeth Graham’s, which reminds us of this fact.</p>
<p>[Written by Peter Simpson.]</p>
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		<title>We’re S-H-O-P-P-I-N-G</title>
		<link>http://www.kith-kin.co.uk/presents/index.php/london-08/we%e2%80%99re-s-h-o-p-p-i-n-g/</link>
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		<pubDate>Sat, 11 Jul 2009 23:58:44 +0000</pubDate>
		<dc:creator>Lorna Robertson</dc:creator>
				<category><![CDATA[London 08]]></category>
		<category><![CDATA[consumer]]></category>
		<category><![CDATA[intervention]]></category>
		<category><![CDATA[shopping]]></category>

		<guid isPermaLink="false">http://kith-kin.co.uk/?p=195</guid>
		<description><![CDATA[A series of interventions and posters exploring ways to function within the cracks of a system.]]></description>
			<content:encoded><![CDATA[<p>‘We’re S-H-O-P-P-I-N-G’ consists of two parts; the first a small act of intervention into a consumer system and the second a poster which communicates these actions.</p>
<p>I assume the role of the everyday consumer and by finding ways to function within the cracks of a system, I use the action of giving something and not expecting anything in return to explore the possibility of failure or success.</p>
<p>Developing the posters I was considering how an event might be passed on as snippets of gossip, a tailored anecdote or a shared joke. I was particularly interested by the way in which such a recollection emerges from the crossing over between fact and fiction and the area that exists between them.</p>
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